Lebanon is reviving its cinematic heritage through the relaunch of the Cinémathèque Libanaise, dedicated to preserving and restoring the country’s film history.
Lebanon is reviving its cinematic heritage through the relaunch of the Cinémathèque Libanaise, dedicated to preserving and restoring the country’s film history.
Lebanon is breathing life into its cinematic heritage with the relaunch of the Cinémathèque Libanaise, a national institution dedicated to preserving and showcasing the history of Lebanese film, revived by the Ministry of Culture with the support of France’s Centre National du Cinéma et de l’image animée.
Lebanese cinema has often carried the weight of documenting profound realities while still finding room for poetry, irony, and deeply personal storytelling. It is a cinema that remembers when memory itself is fragile, that questions identity in a country constantly negotiating its own, and that continues to evolve despite instability. Today, as archives are restored and new voices emerge, Lebanese cinema stands not as an ongoing act of preservation and resistance.
In an exclusive statement to The Beiruter, the Ministry of Culture outlined what visitors can expect from the relaunch: “The exhibition opening will feature films from the Cinémathèque archive, including Lebanese productions as well as Egyptian films produced in Lebanon.” The event will also spotlight the broader effort to preserve Lebanon’s cinematic legacy amid years of neglect and deterioration.
The ministry added: “The archive is dedicated to preserving Lebanese cinema, and it will also showcase equipment related to filmmaking and archiving. The minister is expected to speak about the restoration of these films and the collaboration with the French Cinémathèque, which has helped preserve their importance, maintain the equipment, and digitize the archive. Films will also be screened during the event, while three universities are participating in archival and restoration initiatives related to these works.”
The Cinémathèque existed before, and its closure nearly a decade ago left a true gap. In the years that followed, collections were dispersed across universities and institutions in an effort to keep them from being lost entirely, a stopgap measure that preserved the material but scattered the memory.
From the golden era films of the 1950s and 60s, when Beirut was a regional production hub attracting Egyptian stars and directors, to the raw, unflinching documentaries and fiction films that emerged during and after the civil war, Lebanon's audiovisual history is rich, complicated, and deeply human.
Yet so much of it remains unseen, unrestored, or simply unknown to younger generations. Films deteriorate. Without institutions dedicated to their preservation, entire chapters of a country's cultural life can disappear, through neglect.
This is the crisis a functioning cinémathèque exists to prevent. Archives are the infrastructure through which a culture stays in conversation with itself across time
The Cinémathèque aims to grow into an active space for screenings, talks, and film-related programming, a meeting point for filmmakers, students, researchers, and anyone drawn to Lebanon's audiovisual heritage.
The opening exhibition is a beginning. The archive exists. The work of restoration and digitization is underway. What remains is the longer, less glamorous task of keeping the institution alive, funded, and open, ensuring that Lebanese cinema, in all its breadth and complexity, continues to have a home.
For a country that has always told remarkable stories, that home is long overdue.